The archipelagic breadth of Indonesia’s cultural output forms one of the most vibrant and widely documented bodies of work within the global scope of world music, a category that centers creative expressions rooted in distinct regional identities, far removed from the dominant mainstream pop and rock ecosystems that emerged from 20th century Western industry structures. World music as a framework was first developed to elevate creative works that might otherwise be overlooked by global distribution networks that prioritize English-language and Western-market-aligned content, and the sonic traditions that emerge from Indonesia’s more than 17,000 islands have long been a cornerstone of the category, drawing audiences, scholars, and casual listeners alike to the unique layers of history, community, and identity woven into every recording that emerges from the nation’s creative communities.