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Bernadya’s practice aligns with a long legacy of Indonesian creators who make work that defies the rigid genre categorizations that often define global mainstream music ecosystems, and the sound Sinyal-Sinyal embodies that refusal to be boxed in, landing in the Music/Other category as a piece of creative output that resists easy alignment with the pop, rock, hip-hop, traditional, or regional classification frameworks that structure most music catalogs. For creators working across Indonesia, the choice to make work that cannot be neatly slotted into a preexisting genre is rarely accidental; it is a deliberate embrace of the full complexity of the archipelago’s artistic lineage, which weaves together thousands of distinct cultural traditions, contemporary urban creative currents, and cross-border influences that have shaped creative expression across the region for centuries.