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The Indonesian artist behind Bahaya works within the expansive, globally interconnected framework of contemporary R&B, a genre that has traveled far beyond its mid-20th century origins in Black American communities to take root in nearly every region of the world, adapted and reimagined by artists who bring their own cultural perspectives, thematic preoccupations, and creative sensibilities to the core structures that define R&B as a category of musical work. For creators based in Southeast Asia, and specifically in Indonesia, engaging with R&B is never just a surface-level adoption of a genre that originated outside their home context; it is an act of joining a long, global tradition of reinterpreting R&B to fit the specific needs, experiences, and creative goals of artists whose work might not fit within the narrow, Western-centric frameworks that long shaped how audiences and critics understood the genre’s possibilities.