Rooted in the expansive, multifaceted ecosystem of creative sonic output that emerges from Indonesia, Keikhlasan is a work classified as Music/Mix, a categorical framing that exists to hold space for musical works that cannot be contained by the limitations of single-genre labeling. Across the global landscape of music classification, the Music/Mix tag serves a critical purpose: it acknowledges that many sonic creations, especially those originating from regions with deep, interconnected histories of cultural exchange, cross-pollinate between multiple established sonic traditions in ways that resist rigid categorization. Indonesia, as an archipelago home to hundreds of distinct cultural communities, each with their own long-standing sonic practices, has long fostered a creative environment where creators often weave together threads from multiple local and global traditions to create works that do not align with the narrow genre boxes that have been standardized for Western popular and classical music.