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To encounter a work that roots itself in the intersection of global sonic traditions and the distinct cultural landscape that births it is to hold a piece of art that refuses to be boxed into generic categorizations, even as it draws from the lineage that gives it shape and purpose. Hanya carries that weight and that lightness, emerging from Indonesia’s thriving ecosystem of R&B that reworks the core tenets of the genre to speak to the specificities of the place it calls home, never leaning on lazy tropes of either regional particularity or global sonic homogeneity to make its impact felt on anyone who takes the time to sit with it.