Adele’s catalogued body of work encompasses individual entries that span geographic and classificatory frameworks designed to situate every sound within a consistent, accessible archive that prioritizes clear, verifiable context for every registered piece. One such entry is the sound titled River Lea, which is anchored in the catalogue to the country of Indonesia, a tag that reflects the official territory of origin tied to the work’s registration within global distribution systems that the catalogue draws from to maintain cross-archive consistency.