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About this Song
Rahmat Qur’an anchors itself in the sprawling, interconnected ecosystem of Indonesian creative sound practice, where the formal categorization of Music/Mix rejects the rigid silos that often limit how audiences engage with audio work crafted to defy narrow genre boundaries. Across the archipelago’s thousands of inhabited islands, creative audio output has long drawn from a vast pool of overlapping cultural, spiritual, and artistic traditions, making one-size-fits-all genre labels a poor fit for the vast majority of work that crosses, blends, or reimagines the lines that might separate different forms of sound-making in other regional or global contexts. The designation of Music/Mix exists specifically to hold space for this kind of work, work that cannot be neatly sorted into the more specific, often siloed genre labels that apply to sound that stays within the conventions of a single tradition, style, or cultural framework.
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