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Shanti Dope’s City Girl sits within the pop catalog of sounds originating from the Philippines, a work that joins a roster of releases stewarded by Universal Records, anchoring the artist’s creative output within the larger body of Filipino pop music held in the label’s global archive. The catalogue perspective that guides the presentation of this sound prioritizes clear, consistent alignment of core identifiers, tying the credited artist’s name directly to the work, and situating the sound alongside other pop creations from the same region that share the same structural framework of distribution and archival stewardship. Unlike casual presentations of recorded sound that may strip works of their foundational context, the catalogue approach ensures that every critical detail tied to City Girl is preserved and presented accurately, so that the work’s ties to its country of origin, its genre classification, its credited creator, and its associated label are never separated from the sound itself.