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Cross-artist collaborative sounds that bring together distinct creative voices occupy a unique space in the collection of works anchored to Indonesia, and Die With A Smile, the sound credited to Lady Gaga and Bruno Mars, holds its own place within that growing set of entries that resist narrow classification. Classified outside of all standard genre groupings, marked with three overlapping “other” designations that signal its refusal to fit into the pre-defined buckets that often structure how audiences and archivists engage with sound recordings, this work stands apart from more easily categorized entries that populate catalogs tied to the region. Unlike works that can be sorted into well-documented, widely recognized genre frames, Die With A Smile carries a classification that lets it exist outside of any expectations that might come with a pre-assigned genre label, freeing anyone engaging with the work to approach it without the preconceptions that often accompany genre categorizations.